The ninth annual Milwaukee Film Festival, which closed Oct. 12, hosted a record-breaking 84,000 attendees, 101 sold-out screenings, and nearly 200 filmmakers and guests participating in talkbacks. The conversation continues below, as Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss why “The Blood Is at the Doorstep” deserved its Audience Award […]
I suppose it’s easier to sell a throwback Western starring Peter Fonda than a nonfiction look at Baltimore’s rat infestation. No wonder, then, that the Milwaukee Film Festival, which opened Thursday, screened “The Ballad of Lefty Brown” last night inside the vast, majestic Oriental Theatre but will show “Rat Film” (pictured above) in an afternoon
2017 Milwaukee Film Festival: Competition Read More »
At what point does an auteur’s “signature style” cross over into becoming a game of directorial Mad Libs? That’s the question I wrestled with for most of Terrence Malick’s “Knight of Cups,” a typically gorgeous effort from the reclusive filmmaker that nonetheless employs his trademarks—shots following characters from behind and hushed voiceover the most recognizable
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“Blue Jasmine” is a type of Woody Allen film that Allen hasn’t made in over a decade: a dramedy that’s more drama than comedy, but isn’t heavily concerned with plot. Perhaps even more than 2011’s “Midnight in Paris,” the movie feels like “vintage Allen,” though I use that term with some level of trepidation because
Review: “Blue Jasmine” Read More »
With “The Hobbit: An Unexpected Journey,” Peter Jackson triumphantly returns to the franchise that made him one of Hollywood’s most powerful directors. The strengths and weaknesses are largely the same as those of his “Lord of the Rings” films, though “The Hobbit” differs in that it features a simpler, smaller story. This shift in scope
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