The first time we really see Ted Kennedy in John Curran’s “Chappaquiddick” is during a party at one of his family’s Martha’s Vineyard properties. Face ruddy with Scotch, he convenes his carefully curated crowd of babes and stooges, and gives them a lecture on the importance of family. Notably absent: His actual family, including his […]
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“Tag” is a comedy with a lot on its mind. That is to say, the movie tries to cram in so many subplots and themes that it bursts at the seams, left with only affable performances and some slick direction to patch the holes. Proudly touting a plot “based on a true story,” “Tag” follows
“We’re the Millers” might be one of the best comedies of the year. I don’t write that as an endorsement of the film, but as a commentary on comedies. In no other genre is it so difficult to make a classic, while perhaps only horror films are taken less seriously by critics and the public.
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“The Hangover” series has turned out to be a lot like the titular post-inebriation state. There was an initial burst of wild fun that has given way to hours of pain and suffering that makes you wonder if the fun part was worth it in the first place. It is clear now that the first
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