Geraldine Chaplin

In promotional interviews, filmmakers frequently talk about making so-called “personal” movies, but rarely do moviegoers feel the tangible presence of this vague, mildly self-important adjective in the films themselves. Mathieu Demy’s “Americano” is another story; while not autobiographical, it could not more clearly be the work of its maker. Demy’s approach is not simply an […]