The Paperboy

Lee Daniels’ “Precious” was a messy, vaguely impressionistic, swing-for-the-fences coming-of-age film that, against the odds, struck a chord with highbrow awards voters, at least in part due to the perceived social importance of its 1980s Harlem setting and the public support of Oprah Winfrey. Now, Daniels is back with an equally daring work–“The Paperboy”–that will […]